This was sent out on the first day of the release of “The Beauty Process”. I collect all things L7 so I hunted one down. It is a neat tounge-in-cheek retrospective. :) Scanned in by yours truly.
Reblogged from FUCK YEAH L7
The New York Times Magazine: Look: A Grrrl’s Life
L7 - Everglade 12”
Slash Records1992
Another L7 single I bought because my Bricks are Heavy album is in such poor condition. This is a single-sided 12” single with an awesome etched second side.
I’m glad I bought this because of the non-album track Freak Magnet that I’d never heard before.
Listen to “Freak Magnet”.
Reblogged from punishment ride
L7 (Band) (edit)
Reblogged from Hey Welcome To My Blog
![L7 with producer Butch Vig at Sound City, during the recording of Bricks Are Heavy, 1991. (Via the official L7 Facebook page) Here’s an outtake from my book, Everybody Loves Our Town: An Oral History of Grunge, in which Vig discuss the events surrounding the making of the album:BUTCH VIG (producer) L7 were amazing. The sessions at Sound City were pretty straightforward, and then we went to Smart [Studios] back in Madison for like a month to finish overdubs and mix, and they took over the town. We rented a house a couple blocks in the studio, and it turned into the biggest fuckin’ party palace in Madison. They knew every druggie, junkie, bookie, psycho killer, man on the street. Every sort of scoundrel that Madison had, they knew. It was a parade of weirdos coming and going from the studio. It was pretty wild. To this day I still run into people going, “Man, those girls from L7, they fuckin’ knew how to party!”](http://24.media.tumblr.com/1afe20a2f75f13e3542a5588db492fa3/tumblr_mk4gukZNyR1qctvzro1_500.jpg)
L7 with producer Butch Vig at Sound City, during the recording of Bricks Are Heavy, 1991. (Via the official L7 Facebook page) Here’s an outtake from my book, Everybody Loves Our Town: An Oral History of Grunge, in which Vig discuss the events surrounding the making of the album:
BUTCH VIG (producer) L7 were amazing. The sessions at Sound City were pretty straightforward, and then we went to Smart [Studios] back in Madison for like a month to finish overdubs and mix, and they took over the town. We rented a house a couple blocks in the studio, and it turned into the biggest fuckin’ party palace in Madison. They knew every druggie, junkie, bookie, psycho killer, man on the street. Every sort of scoundrel that Madison had, they knew. It was a parade of weirdos coming and going from the studio. It was pretty wild. To this day I still run into people going, “Man, those girls from L7, they fuckin’ knew how to party!”
L7 photographed in the early 1990’s. © Salvadori
Reblogged from FUCK YEAH L7
Look what I found today… #L7 #punk #grunge #vinyl #7inch #1992
Reblogged from how to throw a successful party
L7 bassist Jennifer Finch’s Lollapalooza diary.
(Source: courtney-love-and-hate)
Reblogged from Isn't it bitchin' seeing dead men in ditches
Before the encore ladies in the crowd started chanting “Sluts! Sluts! Sluts!”, when L7 returned to the stage they were baffled, “Are you saying SLUTS?” they asked
Reblogged from $uzi Safari
Taz poster for the Beastie Boys, L7 and House of Pain at the Irvine Meadows Ampitheater, Aug. 3, 1992
Reblogged from $uzi Safari
L7 on the cover of LA Weekly - November 1999. Found it in my collection of magazines. Got to find a way to frame it and hang it up.
Reblogged from $uzi Safari
Artist TAZ
Multiple Venues
Year 1993
Reblogged from $uzi Safari
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Official Tumblr for Everybody Loves Our Town: An Oral History of Grunge, a Time magazine book of the year. (Now in paperback; purchase info here.) The blog is run by the author, freelance writer/editor Mark Yarm; he is of no relation to Mark Arm of Mudhoney.
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