August 25th, 2011

Book excerpt: Did Mudhoney’s Mark Arm coin the term “grunge”?

This excerpt from Everybody Loves Our Town: An Oral History of Grunge addresses the enduring mystery of who coined the term grunge:

JACK ENDINO (producer; Skin Yard guitarist)
None of us is entirely sure about who used the word [grunge] first. I saw it in a Lester Bangs record review in Rolling Stone in the ’70s. Mark Arm had used the word in the early ’80s.

MAIRE MASCO (Desperate Times zine cofounder) Desperate Times had letters to the editor, and Mark Arm wrote this letter complaining about his own band, Mr. Epp and the Calculations, being “pure grunge.” Before that, the word had been grungy, an adjective. Mark basically turned it into a noun.



MAIRE MASCO
I actually remember when we got his letter, I said to Daina Darzin, the editor, “I don’t think grunge is a word.” And she said, “It doesn’t matter, it sounds cool.”

MARK ARM (né Mark McLaughlin; Mudhoney singer/guitarist; Green River 
singer; Mr. Epp and the Calculations guitarist/singer) Am I the person responsible for coining the word grunge? I don’t think so. In 1981, I wrote a fanzine a fake letter from the perspective of a disgruntled person who happened to stumble upon my shitty band at the time, Mr. Epp. It was fake hate mail. You know, this publicity stuff is very tricky!

The word grunge was tossed around a little bit here and there well before I ever used it. [Mudhoney’s] Steve Turner picked up this ’70s reissue of a Rock ’n’ Roll Trio album, and the liner notes talk about Paul Burlison’s “grungy guitar sound.” That was written in the ’70s about a ’50s guitar player.

Grunge was an adjective; it was never meant to be a noun. If I was using it, it was never meant to coin a movement, it was just to describe raw rock and roll. Then that term got applied to major-label bands putting out slick-sounding records. It’s an ill fit.

(Scan of Desperate Times July 22, 1981 letters section courtesy of Maire Masco.) 

July 9th, 2011

“Have you seen the first TAD single? It has a photo of Tad on it, and the text looks like he wrote it all with the wrong hand: ‘Hi, my name is Tad. I like make music.’ It was ’tardo grammar and punctuation—and I’m not saying that to offend people of intellectual diminishment. Like this guy is musically a savant but had some kind of social or intellectual impairment that made him this brilliant folk artist. I was upset in that the way he was presented diminished the talents of a friend of mine.”

—Soundgarden guitarist Kim Thayil, from the forthcoming Everybody Loves Our Town: An Oral History of Grunge

June 22nd, 2011

New Screaming Trees album (1998-99 recordings) due August 2



Former Screaming Trees drummer Barrett Martin has announced the release of Last Words: The Final Recordings on his Facebook page:

Hey Folks, I’m quite happy to announce that last night, Jack Endino and I finished mixing a new Screaming Trees album. It’s the unreleased album we recorded in 1998-99 and its finally coming out on August 2nd on my label. Mark Lanegan, Van Conner, Lee Conner, and myself felt that these final songs should be heard, and soon they shall be. Here’s the album cover, done by the renowned artist Erin Currier.”

(H/T Easy Street Records blog)

June 15th, 2011
Major labels didn’t want to have anything to do with me. I was not the one who did the record that broke Nirvana. I was the guy who did the Nirvana record that said it was done for $600. That probably did not help my career. Most people didn’t even listen to [Bleach] because it said ‘made for $600.’ They’d go, ‘Ha ha, next!’
from my interview with Bleach producer Jack Endino
June 15th, 2011

22 years ago today: Nirvana release their debut LP, Bleach



Bleach was just another album. I thought it was a very good other album, but I thought, Here’s another great record that nobody’s ever gonna hear.”

—from my interview with Bleach producer Jack Endino 

June 11th, 2011

nirvananews:

Today in 1988, Nirvana recorded “Blew” at Reciprocal Recording Studios in Seattle, WA.

Reblogged from
April 22nd, 2011
Sliver (feat. Krist Novoselic)
Caspar Babypants
This is Fun!

Cover of Nirvana’s “Sliver” by Caspar Babypants, the kids’ music side project of Presidents of the United States of America member Chris Ballew. Extra grunge cred courtesy of guest bassist Krist Novoselic and producer Jack Endino. (Thanks to Rachel for bringing this to my attention.) 

March 19th, 2011

“In the Sub Pop 200 [record] booklet, my title was listed as Supervisory Chairman of Executive Management, and Jon’s was Executive Chairman of Supervisory Management. We felt there was at that time a lack of humor and a forced modesty in the punk/indie scene, and we were really going against the grain. We were ironically undermining corporate culture.”

—from my interview with Sub Pop cofounder Bruce Pavitt

March 3rd, 2011

“The Thrown Ups? Probably the best band ever. Steve and Mark and Leighton and Ed would make the most ridiculous list of song titles you could think of, and pick from the list. ‘Okay, “Sloppy Pud Love.” What would that sound like?’ They’d start jamming, and they’d look at me and go, ‘Okay. We got it. Roll it.’ And I would just roll tape, and they’d come back, listen to it, everybody’d have a good laugh, and then they’d go down the list again. ‘Okay, “Elephant Crack.” What would that sound like?’ Ed would literally make up lyrics on the spot. We’re not talking Hemingway here, but it was always funny as shit.” —Jack Endino, producer

The Thrown Ups
were Ed Fotheringham, Leighton Beezer, and Mark Arm and Steve Turner of Mudhoney. The excellent blog Ritual Room just posted their “Smiling Panties” single, released on Amphetamine Reptile in 1987.

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Official Tumblr for Everybody Loves Our Town: An Oral History of Grunge, a Time magazine book of the year. (Now in paperback; purchase info here.) The blog is run by the author, freelance writer/editor Mark Yarm; he is of no relation to Mark Arm of Mudhoney.