The Seattle Times: Grunge producer Jack Endino steps out of the studio
Is there an act [Endino] hasn’t produced that he would like to work with?
“Pearl Jam,” he says, pausing for effect. “But I don’t think they need me.”
Grunge elder statesmen Mark Arm, Kim Thayil, Tad Doyle and Jack Endino formally announce Sub Pop’s free 25th anniversary concert, in Seattle July 13.
The Silver Jubilee lineup so far: Mudhoney, J Mascis, Greg Dulli, Pissed Jeans, Shabbazz Palaces (with THEESatisfaction), Baptist Generals, Shearwater, Father John Misty.
Not announced on the video, but confirmed to perform: Brothers of the Sonic Cloth and Endino’s Earthworm. (More TBA.)
Harmony Korine (in a Skin Yard shirt!) and Chloë Sevigny, back in the day.
Poster for Soundgarden, Skin Yard, Coffin Break, Bitch Magnet, et al., at Portland’s Pine Street Theatre, February 26, 1988
SKIN YARD Psychoriflepowerhypnotized 7”
Washington State lieutenant governor candidate Bill Funkbeiner (R) campaign video, featuring vocals by Funkbeiner and bass/guitar by supporter Krist Novoselic. Production by Jack Endino. Full story here.
JACK ENDINO (Skin Yard guitarist) There was a little bit of weirdness with Sub Pop, because Skin Yard was not a band that they felt was appropriate for the label, and it wasn’t hard to see why—we were a little too metal. But strangely enough, our bass player, Daniel, wound up working for them for a couple years. It used to drive Daniel nuts that he couldn’t get his own band onto the label, but I stayed the hell out of this because I was still recording all the records for Sub Pop.
DANIEL HOUSE (Skin Yard bassist) When I first started working there, it was Bruce [Pavitt], Jon [Poneman], and me. Charles Peterson had been there earlier and a couple people would come and go. Bruce seemed to have almost contempt for Skin Yard. He hated Ben’s singing. Too melodramatic. He felt like there were elements of our music, the prog- rock elements, that were anti-everything that his label was trying to establish. Jon liked our band. And he actually tried to push Bruce to put us out, but Bruce wouldn’t budge. They eventually put out a Skin Yard seven-inch to just shut everybody up, or at least that’s how I saw it.
Excerpted from Everybody Loves Our Town: An Oral History of Grunge. Order info here.
Drastically oversimplified, but figured I’d reblog anyway.
Hard to believe, but my book Everybody Loves Our Town: An Oral History of Grunge came out one year ago today. A big thanks to all who’ve read and supported the book! And if you haven’t bought yourself a copy, what are you waiting for? Order info here.
If you have read and enjoyed ELOT, please consider writing a glowing review on Amazon, Goodreads, etc.
Also, if you’re not already, follow me on Twitter and like the ELOT Facebook page (we just broke 3,500 fans!). Oh, and please reblog this! Thanks again!
New band featuring ex-Screaming Trees drummer Barrett Martin and ex-Guns N’ Roses bassist Duff McKagan. Pearl Jam guitarist Mike McCready makes a special appearance on the album.
bandchat:
Walking Papers - “Two Tickets and a Room,” featuring Jeff Angell, Barrett Martin, and Duff McKagan. Album release October 2nd.
The Skin Yard catalog is now available on iTunes, “all completely remastered, one title reMIXED, one title never commercially released before, and a couple of tracks never heard before before this,” per the band’s Facebook page.
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![The Seattle Times: Grunge producer Jack Endino steps out of the studioIs there an act [Endino] hasn’t produced that he would like to work with?“Pearl Jam,” he says, pausing for effect. “But I don’t think they need me.”](http://24.media.tumblr.com/4a6aebd3fe5f6a385a2abf644a1f923e/tumblr_mlx81hYxzZ1qctvzro1_500.jpg)





![JACK ENDINO (Skin Yard guitarist) There was a little bit of weirdness with Sub Pop, because Skin Yard was not a band that they felt was appropriate for the label, and it wasn’t hard to see why—we were a little too metal. But strangely enough, our bass player, Daniel, wound up working for them for a couple years. It used to drive Daniel nuts that he couldn’t get his own band onto the label, but I stayed the hell out of this because I was still recording all the records for Sub Pop.DANIEL HOUSE (Skin Yard bassist) When I first started working there, it was Bruce [Pavitt], Jon [Poneman], and me. Charles Peterson had been there earlier and a couple people would come and go. Bruce seemed to have almost contempt for Skin Yard. He hated Ben’s singing. Too melodramatic. He felt like there were elements of our music, the prog- rock elements, that were anti-everything that his label was trying to establish. Jon liked our band. And he actually tried to push Bruce to put us out, but Bruce wouldn’t budge. They eventually put out a Skin Yard seven-inch to just shut everybody up, or at least that’s how I saw it.Excerpted from Everybody Loves Our Town: An Oral History of Grunge. Order info here.](http://24.media.tumblr.com/tumblr_ma1813e7DW1rvw6w8o1_500.png)


